Auf Wiedersehen, Pet
Auf Wiedersehen, Pet Episode Ratings Heatmap
| Avg | E1 | E2 | E3 | E4 | E5 | E6 | E7 | E8 | E9 | E10 | E11 | E12 | E13 | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| S1 | 8.4 | 8.1 | 8.1 | 8.1 | 8.2 | 8.4 | 8.1 | 9.0 | 8.2 | 8.4 | 8.6 | 8.3 | 8.9 | 9.1 | |
| S2 | 8.6 | 8.3 | 8.9 | 8.6 | 8.7 | 9.0 | 8.9 | 8.7 | 8.9 | 8.6 | 8.5 | 8.2 | 8.0 | 8.6 | |
| S3 | 8.3 | 8.4 | 8.1 | 8.2 | 8.2 | 8.1 | 8.5 | ||||||||
| S4 | 7.7 | 7.6 | 7.7 | 7.9 | 7.6 | 7.9 | 7.7 | ||||||||
| S5 | 7.1 | 7.0 | 7.3 |
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About
"Working-class exiles finding comedy in economic hardship abroad"
Seven unemployed British construction workers leave the North East of England for a building site in Germany, sharing a grim hostel and each other's company far from home. What starts as a fish-out-of-water comedy about mismatched blokes abroad gradually deepens into something more melancholy, tracking unemployment, class, friendship and homesickness across the Thatcher years. The humour is dry and character-driven rather than gag-based, the pace unhurried, and the ensemble chemistry is what really carries it. It's very much a product of its era, but its warmth and social bite still land.
the tight ensemble cast whose banter and loyalty carry every episode.
you want fast plotting rather than slow character-driven, era-specific social comedy.
Written by our AI editor to help you decide, spoiler-free by design.
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